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The primary purpose of the book "Introduction to Contemporary Theatrology" is to provide the target readership with an analytical insight into contemporary approaches to theatre in the context of contemporary approaches to literature on the one hand, and
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
The first volume of Croatian Painting of the 20th Century by Grga Gamulin provides an overview of Croatian fine art from the Art Nouveau period to the interwar period, analyzing key authors and artistic movements.
The book monographically covers the entire puppet theatre in Croatia.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.