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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Along with the traditional (old) disciplines that deal ex professo with the world of art - aesthetics, poetics, theory and philosophy of art - the discipline of sociology of art has emerged and developed strongly, especially in our century.
Of all the arts, classical music is the most fulfilling. Listening to music has, more than any other human experience — except perhaps falling in love — the power to evoke the deepest emotions.
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.