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In her preface Mrs. Moorman modestly claims that she has not learned "many new facts about Wordsworth," but she certainly enriches the outline of his early years.
The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
Nataša Govedić's new book of poetry owes its title, as well as its spine – upright and directly opposed to the associated symbolic field – to the ethics and aesthetics of cursing. However, her settings are more complex than those of the domestic progenito