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As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.