Veliki svjetski muzeji: Louvre, Pariz (drugi dio)

Veliki svjetski muzeji: Louvre, Pariz (drugi dio)

Emanuele Castellani

Der erste Herrscher, der begann, den Louvre als „Palast der Musen“ zu betrachten, war Ludwig XV.

Für ihn sollte es ein Ort sein, an dem Kunstwerke aus französischen Sammlungen systematisch gesammelt werden, um sie für künftige Generationen zu bewahren und der Öffentlichkeit zu zeigen. Dennoch wird der Louvre erst nach der Französischen Revolution zu einem Museum im eigentlichen Sinne des Wortes, wenn die „Königliche Galerie“ zur „Nationalgalerie“ wird und mit einer Vielzahl neuer, zumeist verdorbener Werke bereichert wird aus den Kriegen während der Republik und dann unter Napoleon Bonaparte (während seiner Herrschaft trug das Museum seinen Namen), als die bedeutendsten Kunstwerke aller Zeiten aus ganz Europa nach Paris kamen. Während der Bourbonen-Restauration konnten die geplünderten Ländereien nur einen Teil der gestohlenen Kunst zurückgewinnen.

Translation
Srećko Jurišić
Editor
Gordan Zečić
Dimensions
23 x 19.5 cm
Pages
138
Publisher
EPH media d. o. o., Zagreb, 2012.
 
Latin alphabet. Paperback.
Language: Croatian.
ISBN
978-9-53338-007-0

No copies available

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