It is the first book of poetry that deals entirely with depression, frenzy, mobbing, and loss of identity.
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Klasja Habjan publishes short stories in the literary magazines Quorumu and Temi. In 2019, she exhibited her own short stories, along with illustrations, at the exhibition of the same name ˝Crtice˝.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
In Trip to Dachau, there is no tolerance for the “infatuated,” for those who “didn't know,” for those who “repent” with a fat fig in their pocket. She openly hates – hatred itself.
"Many years ago I published a number of poems, and forgot about them. I was fifteen years old at the time. Actually, I was thirteen or fourteen when I wrote them, and they were published as "Poems of a Fifteen-Year-Old" in the magazine Forum."
The poems abound with the fairy enchantment of the Breton world, while at the same time providing a depiction of medieval court life in the 12th century.
The general opinion is that the play represents not only a sound and valid theatrical model but also a brilliant literary work, which belongs to the anthology of Western dramatic poetry.