It is the first book of poetry that deals entirely with depression, frenzy, mobbing, and loss of identity.
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Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
This is a collection of poetry that explores the inner world of a woman, her feelings, identity, search for meaning, and place in the world.