It is the first book of poetry that deals entirely with depression, frenzy, mobbing, and loss of identity.
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A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
It seems that everything that should and should not have happened in Ana Jurišić's collection of poems "Harikla" has happened, but its consequences do not exclude surprises and surprises.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.