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The poetic and travel writing of Velesja by Adnan Žetica is a depiction of the inner sensibility of a poet, storyteller, and essayist who, through his literary expression, often conducts a dialogue with himself, as well as with his reader.
"Bešlić's Colors of Words is a book of poetry that at its core preserves the idea of the renewal of poetry; the idea of its regeneration."
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.