
Luča mikrokozma
Philosophical-religious poem by Petar II Petrović Njegoš (1845) about the soul, the cosmos, the fall of angels and human destiny. The cosmic flight of the soul and a biblical-mythological account of the struggle between good and evil, published by SKZ in
The Light of the Microcosm by Peter II Petrović Njegoš (1813–1851) is one of the most significant and philosophical works of Serbian and South Slavic literature. It was originally published in 1845 in Belgrade, and this 1923 edition was prepared for publication by the prominent philologist and linguist Milan Rešetar (1860–1942).
The book contains Rešetar's philological work, a dictionary of uncommon words, and a significant study "Philosophy in the 'Light of the Microcosm'" by Branislav Petronijević, one of the leading Serbian philosophers of the time. Petronijević's preface interprets Njegoš's thought in the context of philosophy, religion, and metaphysics, emphasizing the depth of the poet's speculative genius.
The work is written in decameter, in six cantos (cantos), with a dedication to Sima Milutinović Sarajlija. Genre-wise, it belongs to romantic philosophical poetry with elements of cosmic vision, theodicy and mythological-religious epic. The plot begins with dedication and introspection, followed by the cosmic flight of the poet's soul (luče) through the cosmic spheres in search of answers about the origin and destiny of man. The second part describes Satan's rebellion against God, the fall of the angels and the fall of Adam, and human imprisonment in the material world. Njegoš combines Christian tradition (especially the motif of the fallen angel and original sin), Manichaean dualistic ideas and romantic individualism into an original synthesis.
The central themes are: the immortality of the soul, the conflict between light and darkness, freedom of will, suffering as a consequence of sin, man as a divine spark in the dust of death and the search for meaning in the universe. The style is sublime, picturesque and metaphysically dense, with a rich use of natural symbols, celestial bodies and biblical motifs. Here, Njegoš reaches the peak of his religious-philosophical poetry, deeper and more speculative than in Gorski vijenc.
Rešetar's edition from 1923 is important because it standardized the text for a wider audience in the interwar period, with philological precision and Petronijević's philosophical commentary. It contributed to the canonization of the work as the pinnacle of Njegoš's thought lyrics. Luča mikrokosma is a key work for understanding Njegoš not only as a poet and bishop, but also as an original thinker who combined Orthodox spirituality, Western philosophy and romantic genius.
One copy is available
- Worn covers
- Library stamp





