Židovski spomenik
Stjepan Tomaš’s 2006 collection of short stories explores—through the fates of artists and ordinary people—historical calamities, the manipulation of human sacrifice, and the forgotten traces of Slavonia’s past.
The short story collection The Jewish Monument (2006) by Stjepan Tomaš stands as one of the author’s significant prose works, in which he continues to employ his characteristic blend of historical, biographical, and regional motifs. The title story—and the collection as a whole—explores themes of human suffering, oblivion, and the ways in which, throughout history, human victims and commemorative heritage have been subject to manipulation. In this collection, Tomaš focuses particularly on artists and intellectuals, tracing the fates of six creative figures of Slavonian origin whose lives and work were shaped by turbulent historical circumstances, ideological pressures, and personal tragedies. The author’s narrative style is marked by a sense of calm, a documentary quality, the careful construction of atmosphere, and an interweaving of fact and fiction. Set across various historical periods—from the Central European context of past centuries to the present day—the stories address themes of identity, transience, the relationship toward Jewish and local heritage, and the impact of major historical upheavals on individual human lives. The book serves as a powerful literary monument to people and eras that are fading from collective memory.
One copy is available
