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It is a deeply disturbing text, full of emotions and traumatic experiences of a collapsed, imploded urban individual crying out for the meaning of life.
Hungry Hill (1943) is a saga of five generations of the Anglo-Irish Brodrick family, owners of Clonmere Castle in Ireland. Du Maurier, a master of Gothic prose, weaves together folklore, curses, and social change, showing how greed destroys heirs.
Melanie Gideon, an American writer known for her humorous novels about family dynamics, dissects the monotony of marriage in the age of social media in The Marriage Trap (2012).
Women tell the truth about sex, loneliness, work, motherhood, and marriage.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.
The novel represents a journey into an alternative world – a world that we all belong to from time to time, but of which we would not want to be a part, a world of paranoia and alienation that we are not entirely sure is just an alternative or the bare tr