
Umetnost kao nadvremeno
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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
The book deals with the study of prehistoric cultures, their development, material remains, and influence on later periods.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.