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Kolja Mićević, a poet and translator of great reputation, created an unspecified genre, but challenging and beautifully written essayistic prose in which he talks about his spiritual, intellectual and life experiences.
On the occasion of the 100th anniversary of Ranko Marinković's birth, Pavao Pavličić, who has been studying the author's work for years, has prepared a book of studies and essays dedicated to this classic of Croatian literature.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
Pavle Pavličić's hidden theory was included among the ten best domestic nonfiction books in 2006 in the "Jutarnje lista" selection.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.