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Together, these two comedies show Steria as a master of satire, who exposes society's flaws through humor: in "Tvrdica" human greed, and in "Rodoljupci" political hypocrisy.
The comedy "The Marriage of Figaro, or The Mad Day" (1784) is a sequel to The Barber of Seville. The Marriage of Figaro criticizes social injustices through love affairs and intrigue, celebrating Figaro and Susanna's ingenuity in the fight against aristoc
