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1850. – 1918.
1945-1962.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.