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1850. – 1918.
The book deals with the study of prehistoric cultures, their development, material remains, and influence on later periods.
This book is a professional study that deals with folk (traditional) art in the former Yugoslavia.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie