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A Little Before Everything, Long Ago We Are is the eleventh collection of poetry by Goran Rem (b. 1958, Osijek), a poet, essayist, literary historian, and member of the Quorum generation in Croatian literature.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
"Bešlić's Colors of Words is a book of poetry that at its core preserves the idea of the renewal of poetry; the idea of its regeneration."
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.