The book was edited and the foreword was written by Nada Pavičić-Spalatin.
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Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.