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The Art of Memory (1966), one of the most significant works of intellectual history, explores the history of mnemonics from ancient Greece and Rome, through the Middle Ages and the Renaissance, to its influence on the science and culture of Europe.
The book deals with a critical review of the ideological and practical aspects of the Stalinist regime, and its consequences on Soviet society and beyond.
This work presents current dilemmas and questions related to the (re)construction of the history and ideology of identity, both individually and on a comparative level regarding the so-called small nations, as special sociocultural groups.
The book is a comprehensive publicistic work in the form of essays in which social, religious, political and media phenomena are read in the manner of theological hermeneutics, through the prism of a theological eye. It is composed of five chapters.