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A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
The book deals with the study of prehistoric cultures, their development, material remains, and influence on later periods.
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie