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The book monographically covers the entire puppet theatre in Croatia.
The book by Croatian writer and essayist Živko Jeličić is one of the most influential interpretations of Marin Držić. Jelčić interprets Držić as a writer close to the common people and a critic of the social injustices of the Dubrovnik Renaissance.
Each text in this book is a rounded whole and was created for some reason, but they all overlap and break exclusively theatrical frameworks, speaking comparatively and interdisciplinary.
System change in Hungary in 1989/90. did not change the theater structure, although the publishing structure was significantly transformed.
