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Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
In Trip to Dachau, there is no tolerance for the “infatuated,” for those who “didn't know,” for those who “repent” with a fat fig in their pocket. She openly hates – hatred itself.
Young Bosnian Lyrical Poetry 1992-1996.
This is a collection of fifty-eight poems that form a continuous poem about family beliefs and mythology, exploring legacy, change and forgetting.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).