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Zoran Ferić's storytelling in "Children of Patras" is a feast of linguistic and associative inventiveness, constantly sliding along the border between the real and the possible, the true and the made-up.
This work is considered to be Andrić's best composed work, precisely because of the narrative process in which he presented the story in a ring structure, i.e. in the work, the stories are told one inside the other. The characters are complex and layered,
In the third part of the trilogy "Pisa (Return)", following in the footsteps of the previous books "Smetlar" and "Cesta", Damir Miloš, not for the first time, questions the space of storytelling and narration, building tension between opposing and incompa
