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The collection "Uglavnom adjevjevi" by Hrvoje Jurić brings together ten cycles of poetic sketches and poems.
The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The following pages are torn from the book of the people's revolution. From the book? No, from the womb, from the veins, from the bloodstream, from the roots of life. They are the history of love.
