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At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
With the works of G. Agamben, tradition is acknowledged to have a role in the transmission of a linguistic or cultural phenomenon from the past to the present, but the transmission is no longer in the service of the return of the same but, paradoxically,
The latest and most comprehensive work by Almir Bašović (1972), one of the leading Bosnian and Herzegovinian literary theorists of the younger generation, dedicated to the dramaturgical structure of Andrić's opus.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
An anthological collection with comments by Josip Kekez, a Croatian folklorist and Slavist. A classic work of Croatian folkloristics from the 1980s.
This student handbook is the most comprehensive presentation to date of the literary heritage of the Bay of Kotor in the early modern period, from the late Renaissance to the Baroque, in which the authors offer a chronological and thematic overview of the