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This textbook is a concise framework for lectures on Croatian autobiographical prose.
A posthumous collection published on the occasion of the 25th anniversary of the death of Dalibor Cvitan (1934–1993), a prose writer, poet, essayist and critic. It contains a selection of around twenty essays, short stories and feuilletons - a cross-secti
With the works of G. Agamben, tradition is acknowledged to have a role in the transmission of a linguistic or cultural phenomenon from the past to the present, but the transmission is no longer in the service of the return of the same but, paradoxically,
The first third of the book provides reviews of Russian literature (Chekhov, Ljeskov, Pushkin...). The second chapter deals with world literature (Balzac, Stendhal, Roland...), and the third chapter contains general articles.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.