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This study belongs to the earlier period of Cvjetko Milanja's scientific and critical work, and deals with the analysis and interpretation of the poetic oeuvre of Dragutin Tadijanović, one of the key Croatian poets of the 20th century.
Šalat's book draws a systematic, exhaustive and theoretically conceived map of texts, poets, styles and lyrical trends in the first decade of the twenty-first century.
It is, above all, a book for reading, a beautiful and pleasant read (anthologies, when well done, are pleasant books, in addition to being useful); then, as was said, it is also about a self-portrait, about exposing yourself.
