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Aristotel noted that "art imitates life" but it turned out that "life imitates art" can also be the other way around, as in the case of the novel The First, Second, Third Man by Mirjana Đurđević.
The novel belongs to Majdak's cycle of existentialist prose, which allegorically addresses the problems of life in an urban environment.
"The Stranger" (1942) by Albert Camus, a classic work of existentialism, follows the life of Meursault, an emotionally indifferent Algerian of French descent, whose apathetic attitude towards the world leads to tragic consequences.