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The novel is a kaleidoscopic, polyphonic account of the life of Gerda Taro (née Gerda Pohorylle, 1910–1937), the first female war photographer to die on the battlefield. A must-read for fans of historical fiction about strong women and anti-fascism.
Widow Cesira and her daughter Rosetta flee bombed Rome to their native Ciociaria, where they experience hunger, fear and misery. Liberation brings tragedy: Rosetta is raped by Moroccan soldiers, destroying their faith in God and people.
In Florence 1925–1926, in the poor Via del Corno, the residents live in love, poverty and fear. The arrival of fascism destroys the community: lovers fight, some die from violence, but popular solidarity survives.
The novel is an important representative of verismo, Italian realism, and depicts the lives of people from the south of Italy, especially the conflicts between the poor peasantry and the decaying aristocracy.
In Florence 1925–1926, in the poor Via del Corno, the residents live in love, poverty and fear. The arrival of fascism destroys the community: lovers fight, some die from violence, but popular solidarity survives.
The novel follows the declining Roman bourgeois family of Ardengo over the course of several days: widow Mariagrazia, lover Leo, son Michele, and daughter Carla – all trapped in apathy, lies, sexual manipulation, and moral indifference.