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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
"The Stranger" (1942) by Albert Camus, a classic work of existentialism, follows the life of Meursault, an emotionally indifferent Algerian of French descent, whose apathetic attitude towards the world leads to tragic consequences.
Arnold Gehlen's main work "The Man" has been the central work of philosophical anthropology since its publication in 1940.