The Slavonian poet of silence, Romeo Mihaljević, finds paths to a poem in which the strongest power is precisely what is not said, but what is present.
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The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Young Bosnian Lyrical Poetry 1992-1996.