The Slavonian poet of silence, Romeo Mihaljević, finds paths to a poem in which the strongest power is precisely what is not said, but what is present.
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Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The following pages are torn from the book of the people's revolution. From the book? No, from the womb, from the veins, from the bloodstream, from the roots of life. They are the history of love.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
"Bešlić's Colors of Words is a book of poetry that at its core preserves the idea of the renewal of poetry; the idea of its regeneration."