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The book is deeply rooted in the local history and culture of Osijek, with an emphasis on cemetery motifs that serve as a metaphor for memory, death, and disappearance.
Mate Kovačević pointed out that he wrote the book concisely, focusing especially on forgeries and cover-ups within recent Croatian history, whose protagonists are mostly followers of former South-Communist historiography.
The collection contains papers from the international scientific conference, Eastern Croatia: Osijek – Vukovar – Ilok, held in 1999.
