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Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
In Leskarc's poems, we will quickly find themes about art and creativity, the Croatian language and folk customs, and national heritage.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.