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The fourteenth volume of the first edition of Matoš's collected works brings theater and concert reviews from the period 1910–1913, confirming Matoš as a top aesthetician and cultural critic.
The artistic creativity of this famous Swedish director, marked primarily by his cinematic expression, also reminded us of the author's writing inclinations with this edition.
The thirteenth volume of the first edition of Matoš's collected works brings together dramatic attempts and theater and concert criticism from the period 1897–1909, revealing Matoš as an insightful theater critic.
The book is part of the Film Library (book 1) and contains the theoretical foundations of screenwriting work, emphasizing that film is a special art, and the screenwriter is a cultural and social worker.