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After a two-decade hiatus, Goran Samardžić is back with a book of poetry.
The book belongs to the realistic, sometimes brutally realistic prose of the second half of the 20th century.
Adnan Žetica's eye is focused on the space and time that flows through him; he is an observer who finds a poem in the little things that, in a small number of verses, exposes and shows the world in all its baseness, but also its beauty.
From Bosnian Romance (1931) is a collection of short stories in which the author lovingly and nostalgically portrays the life of old Bosnia, the mahalas, customs, sevdah and everyday life of Bosnian Muslims during the Austro-Hungarian rule and immediately
When Darko Cvijetić writes, it's as if he's displacing people and their stories from this language to another language, and that's how he arranges them before the face of God.
Selvedin Avdić writes in such a way that the reader can't get rid of the excerpts they have read, and when they read the book to the end, probably on the ex, they unmistakably feel that they have been infected by it.