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This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.