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In Germany in 1784, a runaway priest with ruined eyes and a two-meter-tall giant who attracts both sexes travel as unlikely friends. The novel follows their adventures, encounters, and existential conflicts in a turbulent historical period.
People always think they know who the sponsor is: a calculating, not-so-bad-looking woman who married for money.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a kick in the ass to God, Man, Fate, Time, Love, Beauty...whatever you want.
Good Day, Comrades is a charming novel, subtle in its depiction of the political difficulties of a small, little-known African nation.
The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.