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In his best poems, Stojić skillfully intertwines poetry and a unique engagement.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.