Literature

Ruska kneginjica iz Zagreba

The book "The Russian Princess from Zagreb" by Zvonimir Majdak is a collection of stories and short stories covering various topics, including sports and erotic stories.

Ruska šuma

The novel follows Boris Kostomarov, an engineer in Soviet Russia, who, through conflicts with bureaucracy, moral questioning, and the fates of people in remote forests, reveals the complexity of Soviet society and the price of personal conscience.

Ruski formalizam i književna istorija

The study analyzes the contribution of Russian Formalism to literary history, exploring the evolution of literary forms, the succession of movements, the theory of literary development, and the specific methodology of the formal approach.

Ruski prozor

Perhaps the greatest virtue of Velikić's writing, which culminated in this novel, is his extraordinarily refined feeling for life's details, which he depicts and evokes with an almost shamanic power of materialization.

Ruski prozor

Rusvaj i druge novele

„Rusvaj und andere Romane“ von Josip Crepić-Aurel ist eine Sammlung realistischer Erzählungen aus dem slawonischen, Đakovo- und ländlichen Leben. Ein Frühwerk des slawonischen Geschichtenerzählers mit Motiven aus dem Alltag, den Bräuchen und dem menschlic

Ruža i prsten

Die Geschichte von Prinz Lily und Prinz Bubrina: Spiele für große und kleine Kinder

Ružičasti lovori

Drugi deo autorske opsežne sage *Nisu svi ljudi jednaki*, u kojoj se kroz intimne drame i društvena previranja istražuju strasti, ljudske slabosti i neumoljive životne sudbine.

Ružičasto raspeće III: Nexus

Henry Miller

Nexus (1960), der letzte Teil der Pink Crucifixion-Trilogie, setzt die autobiografische Erzählung von Sexus und Plexus fort. Der Roman folgt Millers Alter Ego im New York der 1920er Jahre und konzentriert sich auf seine innere Entwicklung, seine Beziehung

Ružičasto raspeće II: Plexus

Henry Miller

„Pleksus“ (1953), drugi deo trilogije, nastavlja autobiografsku priču započetu u „Seksusu“. Roman se fokusira na Milerov život u Njujorku 1920-ih, istražujući njegove umetničke težnje, odnose i borbu za slobodu od društvenih konvencija.