Aristofan
Aristophanes (c. 446/448 – c. 386/385 BC) is the greatest writer of ancient Attic comedy and the only one whose plays have been preserved in their entirety. He is considered the "father of comedy" and the most important representative of ancient Greek comedy.
He was born in Athens to a wealthy family. He performed his first comedy when he was not yet 20 years old (427 BC). He lived during the Peloponnesian War and the political turmoil in Athens, which strongly marked his work. In his comedies, he harshly criticized demagogues (especially Cleon), war politics, Socrates, the sophists and Euripides, using crude humor, obscenities, fantastic plots and freedom of expression characteristic of ancient comedy.
He wrote about 40 comedies, of which 11 have been preserved in their entirety. Among the most famous are: Acharnians (425), Knights (424), Clouds (423) – a satire on Socrates, Wasps (422), Peace (421), Birds (414), Lysistrata (411) – the most famous, in which women stop a war with a sex strike, Frogs (405), and Assembly of Women and Plutos.
Aristophanes' comedies are not only entertaining but also deeply political and social. They represent an invaluable source for understanding the life, politics and culture of classical Athens. He is a master of satire, parody and stage humor, and his influence extends throughout European comedy – from Menander and Moliere to modern satire.
Although he was conservative in some views, Aristophanes remained a symbol of artistic freedom and witty resistance to stupidity, demagogy and abuse of power. His works are still read and performed around the world today.
Titles in our offer
Ptice
Najfantastičnija Aristofanova komedija. Dva Atenejanina iz dosade nagovore ptice da u oblacima sagrade novi grad – Nefelokokigiju (Oblakokukuljograd). San o idealnom društvu pretvara se u smionu utopiju i parodiju na moć.
Žabe
Komedija u kojoj bog Dioniz silazi u podzemlje da vrati najboljeg tragičara u Atenu. U podzemnom natjecanju sukobljavaju se Eshil i Euripid, a komedija duhovito raspravlja o sudbini tragedije, umjetnosti i atenskom društvu u krizi.

