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Nora Roberts, the queen of romantic thrillers, in Witness (2012) combines the tension of a mafia showdown with an emotional story of survival and love. A bestseller full of heart and adrenaline.
Women tell the truth about sex, loneliness, work, motherhood, and marriage.
The work is based on a true event that occurred in Spain in 1933: Aurora Rodriguez killed her daughter Hildegart, a famous fighter for women's emancipation and a cult figure on the political scene of the time.
The book is composed of 22 chapters, and in the first, introductory chapter, entitled The Ugly Face of Primitivism, Agić explains the reasons and mechanisms of social rejection.
It is a deeply disturbing text, full of emotions and traumatic experiences of a collapsed, imploded urban individual crying out for the meaning of life.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.