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Marija Paprasharovski's book Figures and Shadows deals with the plays of two prominent French writers, Jean Genet and Bernard-Marie Koltès.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
Various collections unfold from hall to hall of the Archaeological Museum, creating a fresco of Greek civilization whose various artistic expressions merge into an inextricable bond.
Borivoje Dovniković-Borda's School of Animated Film is a classic manual for animation, a fundamental work of Croatian and world cinema, translated into several languages and used as a textbook, for example at the Film Academy in Prague since 1985.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.