
Smrt u Veneciji / Tonio Kröger
Death in Venice (1912) and Tonio Kröger (1903) by Thomas Mann are two novellas that explore the themes of art, passion, and the inner conflicts of the individual in the modern world.
Death in Venice follows Gustav von Aschenbach, a distinguished German writer who, faced with a creative crisis, travels to Venice. There, he falls in love with Tadzi, a young Polish boy of extraordinary beauty. Aschenbach's obsession, intertwined with aesthetic admiration and erotic longing, leads him to a moral and psychological breakdown. As cholera ravages the city, he refuses to leave, succumbing to his passion. The novella, rich in symbolism, explores the conflict between Apollonian discipline and Dionysian passion, culminating in Aschenbach's tragic death on the beach while watching Tadzi.
Tonio Kröger depicts the inner struggle of the young artist Toni, torn between his artistic calling and his longing for an ordinary, bourgeois life. As the son of a German merchant and a southern mother, Tonio feels alienated from society, including his friends Hans and Inge, whom he loves. His artistic sensibility makes him an outsider, but he eventually accepts his role, reconciling his love of life with artistic discipline.
Both novels, written in Mann's precise, analytical style, explore the tension between mind and body, art and life, with universal themes of identity and sacrifice. Mann's characters, faced with internal divisions, reflect a modern existential crisis.
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