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The novel is dark, passionate, and full of Grey's epic descriptions of mountains and storms. It is considered one of his most tense and tragic works; it has been adapted for film four times (most famously in 1930 with Jack Holt and Fay Wray and in 1940 wi
In the third part of the trilogy "Pisa (Return)", following in the footsteps of the previous books "Smetlar" and "Cesta", Damir Miloš, not for the first time, questions the space of storytelling and narration, building tension between opposing and incompa