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Melanie Gideon, an American writer known for her humorous novels about family dynamics, dissects the monotony of marriage in the age of social media in The Marriage Trap (2012).
The essays collected in this book reveal the origins and meanders of Sanja Lovrenčić's years-long search for the authentic character of Ivana Brlić Mažuranić.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.
It is a deeply disturbing text, full of emotions and traumatic experiences of a collapsed, imploded urban individual crying out for the meaning of life.
As in Velikić's previous novels, the heroes weave analogous and often intertwined destinies of frustrated Central European citizens and intellectuals, the topography is very diverse, but also recognizable.
The book is composed of 22 chapters, and in the first, introductory chapter, entitled The Ugly Face of Primitivism, Agić explains the reasons and mechanisms of social rejection.