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At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.
As in Velikić's previous novels, the heroes weave analogous and often intertwined destinies of frustrated Central European citizens and intellectuals, the topography is very diverse, but also recognizable.
The story, centered on the brilliant forger Mihovil, criticizes the literature and art of our time. It also reflects on a society that is ready to adapt the coordinates of history to its own needs.
The disturbing and emotionally exhausting story tells about a painter who, with her artistic passion, opposed the expectations imposed on her by her parents.
Jadran, bivši košarkaš, pokušava zajedno sa Anjom da vidi da li može da spase svoj brak, u kojem sve deluje idealno: dobar stan, izlasci, sin koga vole... ali ispod površine tinja nezadovoljstvo.
Ovo je biografija o mom ocu sačinjena od sećanja i puke mašte. Istorija ne postoji, kao ni činjenice. Prošlost je nepoznata.