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The Law of Bones is a powerful, raw story about growing up on the fringes of society, a critique of the American dream, and a portrait of a young man trying to find his own way in an unjust world.
War-psychological prose set during the Homeland War (1991–1995), with a focus on Slavonia and partly on events in Bosnia. The work belongs to a cycle of prose about the war and women's experiences in it.
From Tito's funeral, which he watched on TV on his 18th birthday, to the moment when he read German expressionist poetry in a Belgrade basement during the NATO bombing.
Books and writers mark catastrophes on the map, catastrophes of the wars of the nineties, catastrophes of the Holocaust, catastrophes as words from the street and television, traffic that is a catastrophe, the price of carrots that is a catastrophe, catas
Shafak carefully portrays the different nuances of Turkish defensiveness, but also considers the responsibility we bear for the crimes of our fathers, especially when the wound outlives the perpetrators.
After being created by revolution and war for independence, America proudly followed the path of liberation, individualism and self-realization, which would lead to victory in two world wars and the status of a global superpower.