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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
The second volume of Kafka's diaries covers the crucial years 1912–1914. This volume is a bridge between the early sketches and the mature novels, and the fragments are raw, aphoristic, full of self-mutilation, but also ingenious introspection.
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