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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
Matija Bošnjak, a literary comparative scholar and art historian, explores Bosnian and Herzegovinian literary modernity as a space of cultural hybridity – left of the east, right of the west – in his collection of essays Left of the East, Right of the Wes