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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
This is a biography about my father made up of memories and mere imagination. History does not exist, and neither do facts. The past is unknown.
It is a deeply disturbing text, full of emotions and traumatic experiences of a collapsed, imploded urban individual crying out for the meaning of life.
At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.