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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
The Old Man and the Sea possesses the artistic power of a biblical story or parable.
‘It was never just a game that reflected all human passion and hope and madness, and then it came true.’ ‘Okay,’ said the young man, ‘don’t say you weren’t warned.’