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Red and Black is a social chronicle about the fate of a poor, ambitious young man in the Restoration era, in which, in a precise classicist style and a tone ranging from sarcastic to poetic, he expresses a rebellion permeated with romanticism against ossi
Eco's philosophical-religious-criminological novel The Name of the Rose was immediately recognized as an exceptional work, so it became - and remains - a book that is read and talked about all over the world.
What happens when a writer with a cynical voice in his head invents a young man with a knife lurking in the bushes of the newlyweds' park?