Publicistika

Begovi su pali na tjeme (Murselove filipike)

This collection, as the subtitle states, Mursel's Philippics, is a selection of stories, essays, and columns that Begović published over the course of six years (2006-2012), primarily in Mursel's Šegistan, a regular column in Preporod's Journal, but also

Beograd - raskršće vekova i puteva

The monograph "Belgrade, crossroads of centuries and roads" contains a huge number of color photographs taken from the ground and from the air.

Berluskonizam: talijanski politički dossier 2001-2006

The book in front of you was created during the last five years and consists of texts that, starting in May 2001, I published in Rijeka's "Novi List" as a regular weekly column under the title "Italian Dossier".

Besmrtni Mozart

A biographical novel that follows the life of Wolfgang Amadeus Mozart, highlighting his artistic genius, struggle with poverty, and the relationships that shaped his art and destiny.

Bibliografija, izabrani tekstovi

The book presents Švajcer's entire bibliography and a selection of his published and unpublished texts (e.g. texts on Krunoslav Kern; Branko Kovačević; Osijek painting between the two wars; Antun Babić as a graphic artist, etc.).

BiH ne BiH - pitanje je sad(a)

Ova knjiga s fotografijama i kolumnama dat će vam cjelinu promišljanja dugogodišnjeg glavnog urednika BiH izdanja "Večernjeg lista", koja se nisu promijenila ni u ovih posljednjih gotovo pet godina, koliko obuhvaća knjiga.

Bijedna ljubav Musorgskog

Ivan Lukaš u romanu prikazuje tragičnu ljubavnu priču velikog ruskog skladatelja Modesta Musorgskog. Roman prati njegovu nesretnu ljubav, umjetničku borbu, alkoholizam i propadanje u carskoj Rusiji 19. stoljeća.

Bijele pjege socijalizma

Biologija

Knjiga iz izdavačke serije: Astronomija, Kibernetika, Psihologija, Fizika, Kemija, Biologija.

Birth Certificate: The Story of Danilo Kiš

Mark Thompson writes a biography of one of the most important European writers of the 20th century. Through a combination of research, literary analysis, and personal portraiture, he portrays Kiš as an anti-fascist, modernist, and witness to the traumas o