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A fundamental work of Croatian methodological science that explores the theory, goals, and methods of teaching literature, connecting the pedagogical, psychological, and aesthetic aspects of literary education.
The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
Figures in our folk poetry, (JAZU 1880), is published in a reprint after a full 108 years. This classic work of Croatian philology is the first and to this day the only thorough and reliable systematization of tropes and figures in our country.
This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.